

George
Davis was born June 18th, 1945, in Des Moines, Iowa. George began singing
at the age of 9 with his siblings, Gilbert and Audrey, as The
Davis Trio. At 12, he became the lead vocalist in the group, Little
George & the Del-Rays. They performed throughout the state and in
Omaha, Nebraska, but most of the engagements were on clubs on Center Street
here in Des Moines.
While in high school, George spent a great deal of time song
writing, and at 17 the Del-Rays were signed with a newly founded record
company in Des Moines - Success Records. The Del Rays later changed their
name to The Blendtones and released their first record titled Lovers,
written by George. The record climbed to #3 in Los Angeles, behind #2
"Just One Look" (by Doris Troy) and the #1 hit
"Fingertips" (by 12 year old Stevie Wonder).
In the summer of '63, the group went on a very successful
tour on the West Coast. While on tour, Success records signed more local
groups including The Martinels, The Extensions, and The
Casualtones. Upon completion of the tour, it was suggested that an album
be produced featuring all of the artists that were currently signed with the
company. Hence, the album Only For Teenagers And Swinging Adults
was born. Four of the songs on the album were written by George, including
"The Slide", (performed by The Blendtones), and "Baby Think It
Over" (performed by the Martinels).
At 18, George began taking guitar lessons and within a year
the group, The Soul Brothers, was formed. The players consisted of Harlan
Thomas on keyboards, Ron McClain on bass, Gene Jackson on
drums and both "Chicago Rick" Lussie and George on
guitars. The group also featured several vocalsists, including Willis
Dobbins, Brother Butch Edmonds, and Anita Cooper. The Soul
Brothers were featured as the house band at the San Francisco Lounge on
Ingersoll Avenue in Des Moines for a number of years.
In '65, George got his greeting from Uncle Sam. After serving
2 years in the Army, which included a year in Vietnam, George returned home
and returned to his spot in the band, who were anxiously awaiting him. Being
the youngest and only unmarried member of the group, George was ready to go
on the road. The rest of the group had job and family obligations.
George got a call from his brother Gilbert, who had relocated
to New Jersey sometime in '68. he told George the area was wide open for
musicians and that was all George needed to hear. George and longtime drummer
friend, Billy Crawford, took off for the Garden State. The pair
arrived in New Jersey and joined forces with brother Gilbert. They called
themselves The Chosen Few and began playing almost immediately
at the Orchard Lounge in Asbury Park two nights a week. Weekends were
reserved for a vocal group known as The Fabulous Broadways, who
were backed by a 4-piece band that featured a 270 lb. sax player named Clarence
Clemons. At that time Clarence was also playing semi-professional
football and worked as a live-in counselor at an all-boys detention center.
The months that followed brought some new members to the
group, such as Jesse McFarland on organ and sax player Ronnie Bright.
J.T. Bowen joined as a front man, which increased the groups
versatility and popularity.
In early 1969, The Chosen Few and The Fabulous Broadways
joined forces and became an East Coast powerhouse. They did shows from
Atlantic City to Washington D.C., and also appeared in Des Moines during the
annual Drake relays on several occasions. During their last trip to Des
Moines, they acquired another vocalist, the aforementioned Butch Edmonds,
who's rendition of James Brown set New Jersey on fire.
Not long after their return to Jersey, The Broadways were
signed to Stang Records, which was owned by the "Love Is Strange"
duo of Mickey & Sylvia. They began working on their first release
and were spending a lot of time in the studio. However, The Chosen Few were
becoming more independent and performing 5 to 6 nights a week. The Broadways
started having serious problems with lead singer, Billy Brown, failing
to dub the lead on their first release and the company let them go and gave
the song to another Jersey group called, The Moments, and the big hit,
"Not On The Outside", was born.
Over the next few years, The Chosen Few remained one of
Jersey's popular groups, which led to the loss of some of its finest
musicians such as Clemons, who joined Bruce Springsteen, and
multi-talented Desi Norman, who joined the famous guitar player, Grant
Green and his band.
After the breakup of The Chosen Few, George was offered a
position with a group from North Jersey, called The Everyday People.
There had been a friendly common bond between the two groups, because they
each played at many of the same clubs, and would often refer each other to
new club owners.
At the time, Everyday People had already recorded a hit
single, "The Bounce," and were in the studio working on their first
album.
George has said that although The Chosen Few was the best
show group of his choice, Everyday People was definitely the most talented
group he had ever performed with.
"We were seven pieces strong, with seven voices. I had
never been in a group where everybody could sing both lead and
background."
About a year later, Gilbert Davis reunited with his brother,
and joined the group. After signing with De-Light Records, the name of the
band was changed to Hot Line. The group recorded a popular single
called "Juice It Up," and soon started a long tour from Atlantic
City to several areas of Canada, including Nova Scotia. This tour included
two weeks at the Rockhead’s Paradise Club during the ’76 Olympics.
They were welcomed back home with a two-night, 4-show stint
at the famed Apollo Theatre with eight other acts, including Barbara Mason
("Yes I’m Ready"), Funkhouse Express, and The
Joneses.
The success was short-lived, however, as the new era of Disco
moved in, putting most groups out of business.
Today, George and Gilbert are back in Des Moines. George can
often be seen at the Blues On Grand club, where he is usually coaxed up to
the stage to sit in with the band that is playing. George is the epitome of
class, and his impassioned, utterly soulful voice, never fails to bring down
the house...
PHOTO © LORI BOWLING
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